Group
Photo of 1946 Summer Faculty (July
2-August 28)
L. to R. Leo Amino, Jacob Lawrence (painter),
Leo Lionni (graphic artist), Ted Dreier, Nora
Lionni, Beaumont Newhall, Gwendolyn Knight
Lawrence (painter), Ise Gropius, Jean Varda
(in tree), Nancy Newhall, Walter Gropius
(architect), Molly Gregory, Josef Albers,
Anni Albers
"The
curriculum was divided into the Junior and Senior
Divisions with all entering students being placed
in the lower division regardless of previous
education. Entrance into the Senior Division
was not dependent on the number of courses completed
successfully but rather was determined by the
results of comprehensive oral and written examinations
as well as the achievement record of the student.
Graduation from the college was on the same
basis, with professors from other institutions
conducting the examinations. There were no required
courses but each student prepared with his advisor
a plan of work and was expected to complete
a well-rounded course of study. Classes, which
were a combination of recitations, lectures,
tutorials, and seminars, met at the discretion
of the teacher and attendance was voluntary."
-Information
Courtesy of North Carolina State Archives Black
Mountain College Papers
By the forties, Black Mountain's faculty included
some of the greatest artists and thinkers of its
time: Walter Gropius, Jacob Lawrence, Willem de
Kooning, Robert Motherwell, John Cage, Alfred
Kazin, Merce Cunningham, and Paul Goodman. Buckminster
Fuller came and built his first Geodesic Dome,
Charles Olson produced the Projective Verse, and
some of the first performance art in the U.S.
1
Jean
Varda, the Greek-born artist, first arrived to
teach in a Model A convertible hed painted
magenta and orange and driven cross-country on
three spare tires. He tossed packages of loudly
colored Rit dye in a washing machine to dye the
shirts he wore open to the waist. In contrast
to Josef Albers, to whom students "prayed,
knelt beseechingly before the great god of capital
A-R-T," Varda was a breath of fresh and flamboyant
air. " writes Emma Mary Harris in her book,
"The Arts at Black Mountain College"
MIT Press.
Jean
Varda taught dance, and possibly art as well,
at the sumer arts session of 1946 at Black Mountain
College, an alternative educational school headed
by Joseph Albers. The college basically had no
set curriculum, no grades and no tests, but its
Board of Directors included William Carlos Williams
and Albert Einstein. Black Mountain
had was the
ideal of American experimental education.
At
its core was the assumption that a strong liberal
and fine arts education must happen simultaneously
inside and outside the classroom. Combining communal
living with an informal class structure, Black
Mountain created an environment conducive to the
interdisciplinary work that was to revolutionize
the arts and sciences of its time.
It was a hub of American cultural production.
2
In 1953, as many of the students and faculty left
for San Francisco and New York, those still at
Black Mountain saw the shift in interest and knew
the school had run its course. Black Mountain
had existed on its own terms, and on its own terms
had succeeded in expanding the possibilities of
American education. Realizing that they had essentially
achieved their goals, they closed their doors
forever. 3
From
the Jacob
Lawrence Website:
Jacob Lawrence teaches in the summer session at
Black Mountain College in Asheville, North Carolina,
at the invitation of Josef Albers. His wife Gwendolyn
Knight Lawrance, an accomplished figurative artist,
accompanies him.
Albers hires a private train car to transport
the Lawrences to and from Asheville so they need
not move to the "colored" section of
the train at the Mason-Dixon Line. The Lawrences
never leave the school's campus during their ten-week
stay.
Photo:
1946,
by Beaumont Newhall, The Estate of Beaumont and
Nancy Newhall, Courtesy of Scheinbaum and Russek,
Ltd., Santa Fe, New Mexico. North
Carolina State Archives.